So, like my pal Wayne, film expert Tim Lucas and the folks over at If Charlie Parker Was a Gunslinger..., I'm going to take a few minutes to pay tribute to this fun, fascinating star of the big screen.You kids today, you probably have no idea who I'm talking about -- or, even worse, if you do you know her as the old lady from GREASE. But long before you were born -- Hell, long before your parents were born -- Joan Blondell was tearing up the movies. The production code didn't get teeth until 1934, and until that dark day, Hollywood movies were wild stuff indeed, full of gruesome violence, casual sex and adult innuendo. Joan didn't have much to do with the first item on that list (though she did co-star in the bloody gangster classic THE PUBLIC ENEMY), but she had the other two covered. And, as they used to say, how!
Joan always played the woman you knew had been around the block a couple of times, and you knew she had fond memories of those trips, too. Not conventionally beautiful by today's standards, she had a unique look that, combined with loads of charisma, a sharp sense of humor and an earthy sort of sex appeal, made her one of the most fun-to-watch stars of the early sound era. And, let's be honest: She knew how to pose for the cheesecake shots the studios demanded. And, I repeat, how!
Want to see more of her work? It's not as difficult as it used to be. THE PUBLIC ENEMY is available in a nice, extras-packed DVD. Even better, Warner Brothers' THE BUSBY BERKELEY COLLECTION (the best DVD release this year, in my humble opinion) gathers five of the choreographer's surreal masterpieces, and three of them -- GOLD DIGGERS OF 1933, DAMES and FOOTLIGHT PARADE -- feature Joan in top form. FOOTLIGHT is my favorite, teaming Joan up with her old PUBLIC ENEMY co-star Jimmy Cagney, but GOLD DIGGERS features what's probably her greatest musical moment, a gut-wrenching performance of the World War I vet anthem "Remember My Forgotten Man." She also co-stars with Edward G. Robinson in BULLETS OR BALLOTS, part of the recent TOUGH GUYS DVD set.
You can catch some of her later work in the excellent sideshow film noir NIGHTMARE ALLEY and in the Frank Tashlin-directed Jayne Mansfield comedy WILL SUCCESS SPOIL ROCK HUNTER? (Both movies are loads better than that goddam GREASE.) And Turner Classic Movies, despite dropping the ball today, shows a lot of Joan Blondell flicks, including plenty of spicy pre-code movies. Keep an eye open and check their schedule. (In fact, if you're reading this sometime before 7:30 a.m. Eastern, you can still catch the 1931 pre-code drama NIGHT NURSE, starring Barbara Stanwyck, Clark Gable -- and Joan.)
As for Web resources, there's always here Wikipedia and IMDB entries. Plus, I'd be remiss in not mentioning this fine tribute site, where I got the above photo. There are a lot more pics, plus a few film clips, so check it out.
It's the least you can do for Joan's big 1-0-0.




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I'm taking the hit for Team Comix and plan to be there all the way from the Thursday "preview night" (whatever that means) through Sunday afternoon sometime. If you want to talk CATWOMAN, HERO, AQUAMAN or if you're one of those fans who really 